Raye Zaragoza at Camp North End
This event is FREE and open to the public. Doors open at 5pm.
Parking: Free parking is available at Camp North End – lot address is 1774 Statesville Avenue. Overflow parking is available at 1801 Graham Avenue.
Raye Zaragoza is a galvanizing presence, a self-assured artist making music to fight for, represent, and celebrate those left too long outside the spotlight. Known for tenacious feminist anthems and fearless protest folk, her stage presence teems with determined morale. As a Japanese-American, Mexican, Indigenous woman, Zaragoza spent much of her early life trying to assimilate with the world around her, to meet punishing standards of beauty synonymous with just one color of skin—and not her own. She has come a long way from that youthful pain, proclaiming “I am proud to be a multicultural brown woman with insecurities and a vibrant intersectional identity that I continue to grapple with. I hope young girls of today will know that the It Girl is whatever the hell they want to be.”
In the aftermath of her breakthrough single, “In The River,” Zaragoza released Fight For You, the protest-driven debut she says had her “finding my voice as a woman of color.” Upon releasing her first full-length, she discovered the beauty, significance, and necessity of her natural identity in a broader conversation; she was ready to celebrate what made her “different” and invigorate those of similar struggles to do the same. This rightful confidence radiates across Woman In Color, Zaragoza’s sophomore album out now on Rebel River Records, her own independent label. The album delivers powerful missives about embracing one’s own identity and discovering the power behind it, all across brisk, emotive, compelling folk melodies. Once deemed “one of the most politically relevant artists in her genre” by Paste Magazine, Raye Zaragoza now offers an intimate exploration of coming into her own, in a country where for many, simply existing is political. Through this album, Raye has written a collection of spirited canticles for herself, for womanhood, and for all the people who had to come together in such an event of divine coincidence that led to her existence.